It’s not every artist that can hit all the right notes when covering an eclectic mix of musical genres, but singer/songwriter Alynda Lee Segarra from Hurray for the Riff Raff is far from ordinary, and that’s especially evident when you hear her amazing voice. Segarra is the principal writer behind this band and their latest album, Look Out Mama, still stays true to their southern-folk origins. Yet it also manages to touch on a wide range of musical styles like soul, psychedelic, Americana, country, rockabily swing, blues, and 60’s surf.
Mumford & Sons are pleased to announce details of a series of Gentlemen of the Road Stopovers in the United States this August. The Stopovers combine the intimacy of a community celebration with the excitement of a world-class music festival. Featuring local vendors and activities, each Stopover will begin with a concert at a unique site and end with a series of smaller events involving local businesses, venues, and, most importantly, local people. Mumford & Sons will headline the main event, alongside an eclectic and energetic roster of artists curated by the band themselves.
Hi everybody and welcome to another edition of Project Rhythm Seed’s Free Music Friday. Today we dug deep to find you two great new artists. The first, Megan Reilly, took a five year hiatus between her last album and her latest one, The Well, which released at the end of last month. Today we have a track off that album called “Throw It Out” to share with you. The second artist, Ian McGlynn, is a writer’s writer and a Berklee School Of Music alumni. His newest album, Now We’re Golden, drops on June 5th, but today we have a track called “Gold Morning Mend” available for you.
From heartbreak to honky-tonking, from Jesus to gin mills, Hank Williams wrote about life’s deepest truths and sang with an ethereal authority on such unforgettable songs as “Your Cheatin’ Heart,” “I Saw the Light,” “I’m So Lonesome I Could Cry,” “Cold, Cold Heart” and many more.
When Hank Williams died, at the age of 29, in the back of his Cadillac sometime early morning on New Year’s Day 1953, he left behind a scuffed, embroidered brown leather briefcase, which he used to carry bound notebooks, among other items, darkening their pages with lyrics and song ideas. Some were fully finished, some just started.